Date: 28 Sep, 2016
To the Ladies, Gentlemen and Others of the Krantz Official, Occasional Mailing List:

The time has come.

Typically, at the outset of any previous Krantz tour, you will have received a plaintive message from HQ. Whatever the guise, the content of that message is, unvaryingly, the same:

“Please show up.”

As we now send it again, know that we do not ask this of you lightly. We do not take your participation for granted in any way. We know what’s involved with getting to a show! It takes time. It takes energy. It takes money and in some cases, gasoline. Food, sometimes. Getting dressed. Standing up. Sitting down. Standing, again. Potentially being tired the next day. And perhaps most significantly: it requires subjecting oneself to another’s reality for a short period of time.

That can be a daunting prospect.

We also realize you may not know much about our music and what it offers. You might assume it’s just another one of those shows where people play their instruments really well, and missing that kind of show isn’t really a very big deal, is it?

No, honestly. These days? No. And we know that. So we wouldn’t even BOTHER touring if that were the case! We’d just continue packing the joint at 55 Bar in NYC every Thursday and call it a career.

“Art and Soul Music,” that’s our thing. We do happen to play our instruments pretty well, but only because we have to, to pull it off right – to get to the real stuff, the stuff underneath the day-to-day grinding accomplishments of familiarity and forgone conclusions; to get to the deep stuff, the rhythm-of-the-soul stuff, the states of particulate consciousness and re-estimation of identity, time and place – the stuff that actually matters: creation, unfolding in real-time right in front of you, raw, beautiful, funny, ugly, transcendant, organic, ALIVE!

We also play covers.

The other thing we’re aware of is that we’re not very famous! We know it’s more fun to show up to see and hear famous people. It makes sense. But know this: we didn’t even ask Paul McCartney or Ringo Starr to be involved in this. Why not? Because we actually do a better job of it ourselves. We’ve been developing our music in various incarnations for 20 years. We’re irreplaceable, even by those vastly more high-profile than we are.

So we beg your kind indulgence on that score.

Have you seen our tour video?
https://www.youtube.com/watch?v=egt-z9SCt-A

Have you seen our tour schedule (European dates still to come)?
http://www.waynekrantz.com/?page_id=820

Have you seen our most recent record?
http://www.waynekrantz.com/?albums=good-piranha-bad-piranha-2

WK & 2x(salavation): Zach Danziger / Nate Wood : Oct 4-9, Oct 25-Nov 28
WK & Star Truck: Zach Danziger / Kevin Scott : Oct 12-23

The likes of which won’t be seen again for some time.

Thank you,


Good Piranha / Bad Piranha

Wayne Krantz, Keith Carlock, Tim Lefebvre, Nate Wood, Gabriela Anders

GPBPwebcoverKnown globally for his uncompromising musical vision, staggering virtuosity and deep reserves of soul, Wayne Krantz is one of very few modern guitarists to venture beyond the instrument’s limitations and create an identifiably original style and sound. Good Piranha/Bad Piranha is his full-throttle double-take on four contemporary pop and hip-hop songs, from which he plunders the textural, rhythmic and harmonic intrigue that has come to define each of his unique projects.

Following 2012’s critically acclaimed Howie 61—a record packed with cleverly arranged, hard-hitting original songs and a small army of masterful sidemen—Krantz has scaled back the setting and material for his tenth outing as a leader. Good Piranha/Bad Piranha finds his trio in the studio revisiting a selection of cover tunes they performed during legendary recent appearances at the 55 Bar in Greenwich Village.

Presenting two distinct versions each of Pendulum’s “Comprachicos,” M.C. Hammer’s “U Can’t Touch This,” Ice Cube’s “My Skin is My Sin” and Radiohead vocalist Thom Yorke’s “Black Swan,” Krantz extracts and serves up a surprising range of nuance by switching up musicians and applying his inimitable instrumental inventiveness. Each song’s multiple takes allow the group(s) to reimagine the material from unexpected angles, making use of subtle rhythmic and melodic shifts to frame a dazzling display of the guitarist’s revered melodic and chordal innovations; he intertwines his stark, elastic tones with the familiar tunes’ snaky rhythmic skeletons and insistent basslines to create wholly new works.

Joining Krantz on Good Piranha/Bad Piranha are his longtime trio mates Keith Carlock (Steely Dan, Sting) on drums and Tim Lefebvre (Tedeschi Trucks Band) on bass. Recent cohort Nate Wood (Kneebody) reprises his chameleonic role in Krantz’ touring band, appearing here on bass for the first versions of the four tunes and then on drums for the second. The material is delicately enhanced by occasional vocal interjections courtesy Gabriela Anders.

Since the late ’80s Wayne Krantz has been revered as one of the world’s great guitarists, working alongside such rock legends as Steely Dan (both as a bandmember and later on solo projects by Donald Fagen), jazz saxophonists Michael Brecker, Chris Potter and David Binney, composer Carla Bley and drum icon Billy Cobham. In addition to his influential studio albums as a leader, Krantz has released several recordings of his celebrated live trio performances, which have become major concert draws worldwide for fans of powerfully adventurous improvised music.