HUMANOME

waynekrantz.com presents the HUMANOME

 

 

Hey, musician!

 

Having a strong internal clock is important anytime you’re in charge of the beat. Metronomes, with their perfect time, can help build that strength. But you and your bandmates don’t have perfect time. We’re human. We fluctuate.

Humanome teaches you to hear an irregular tempo and adjust your playing to it, as you must always do to stay in the pocket with other non-metronomic human beings. 

Humanome sensitizes you to playing more responsively and accurately – more in the groove – with any external time source, whether it’s precise or not: a metronome, a click, a drummer, a band, a sequence, a track. 

 

How it works:

Humanome encourages listening. It trains you to react, moment by moment, to a fluctuating external time source. Humanome‘s varying click and limited session time enhances focus and engagement in ways a metronome doesn’t. Humanome stresses the importance of the phrase and allows for odd time signatures.

Each Humanome session is randomly generated and unique. A session is around 3 minutes long and has three parts: an initial 2-phrase segment of straight time, followed by the main body of the session’s shifting tempos, followed by a 1-phrase ending segment of straight time.

 

Setting up each session: 

Speed is the Humanome’s initial tempo, from 1 to 5.

Intensity is how frequently the tempo will change. 

Beats per measure indicates time signature. By default, Humanome accentuates the first beat of each measure. This can be disabled in More Settings.

Select INHUMANOME if you want to kick the Humanome into true madness from any Intensity setting. Tempo changes will be much more severe. This gives you four additional intensities. 

 

More Settings:

Measures per phrase. Much of the world’s music comes in 4 or 8 bar phrases and that is Humanome’s default setting. You can change that here.

*2 multiplies each Speed setting by two, from *1 to *5.

 

Remember:

It’s not a metronome.

It’s a Humanome.

GO!

 

engineering by Amit Lissack
 

 
 
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